Dear Professor Brown,
As
a historian, your article concerning how women's history has often been written
and the limitations to this common way of writing history was fascinating in
that it did not just address the complications of writing history but pushed
historians to become better at writing it. Particularly when you discussed the relational nature of
difference, you suggested that historians not only take difference into account
but look at difference as a guiding factor in relating the myriad actors in a
narrative. The line, "It is
important to recognize that middle-class women live the lives they do precisely
because working-class women live the lives they do,"(298) was so emphatic
because for many works, historians assume that this is what they are
doing. They assume that by
extensively exploring their subject, they shed light on the other actors
involved. However, as you show,
this is often done incompletely.
Professor Evelyn Higginbotham's article, African-American Women's History and the Metalanguage of Race, also
addresses this issue by discussing how race in particular is not explored
enough within other scholarship about identity whether it be gender, sexual or
class. Her analysis of the "racial
constructions of sexuality" including her description of how Thomas
Jefferson "conjectured that black women mated with orangutans," (263)
reveal the hugely important implications of these intersecting identities -
"Black" and "female."
The way in which race was conceptualized allowed Jefferson to use stereotypical
views of people of African descent to support his claim. Yet, the way in gender presented itself,
i.e. the female bodies of his slaves, complicated this disdainful view of Black
people and allowed Jefferson to disprove his own theory by "mating" with
one of his female slaves, Sally Hemings.
This example helps support your point that such identities are many and
conflicting and must be looked at together to get a fuller understanding of the
historical implications of an issue.
Another
issue that you raised is that "The effect of [only acknowledging the way
in which white women have shaped Black women's lives without the reverse] is
that acknowledging difference becomes a way of reinforcing the notion that the
experiences of white middle-class women are the norm; all others become deviant
- different from," (300).
There is an interview with Toni Morrison in which she addresses her
career as a female Black writer.
She discusses how many critics have told her to drop these
"superfluous" labels in order to become a real, big-time writer. One for the canons. But then she discusses how such labels
are no less valid than the label of "writer" without any adjectives
and how by shedding such descriptions, she would reinforce these critics'
beliefs that "Black" and "woman" are somehow less necessary
or less valid. This anecdote
helped me understand more fully your concept of identity normativity and how
important it is to not passively acknowledge difference. When you discuss female authors
and how female authors of color "do not have the privilege of deciding whether
to acknowledge, at least at some basic level, their multiple identities," (301)
you make it very clear how by asking different requirements of people based on
the way they identify privileges certain identities over others. This also makes it seem as if those who
identify with the normative identity cannot have multiple identities in the
same sense that those who are deviant from this normative can. And this seems an enormous loss. Not only does it further limit the
extent to which universality can be a useful way of thinking about people as
you describe many feminists wish to do, but it also makes it much more
difficult to bring seemingly "different" people into conversation
with each other on any sort of meaningful plain.
What
your article helped me understand that by engaging these differences and
completing a narrative with many conflicting, conflating differences is hugely
important in describing as fully as possible the relationship between different
historical actors or different groups of people. Take the case of my honors thesis - I am writing about
Reconstruction from the viewpoints of two major historical figures, Frederick
Douglass and Henry McNeal Turner.
Both men were African American civil rights activists, but the struggle
I have encountered is how to deal how their class and status affected their
views on race. It is this
intersectionality of race and class that I need to address, because their
differences are extremely important to understanding the political and social
landscape of the nineteenth century.
Very best,
Bianca
Very well done! I particularly like your discussion of the ways that identity is relational and works like an exchange. The quote from Elsa Barkley Brown's article on page 298 (about white women enjoying particular kinds of privileges because black women can not) clearly captures this point. You also offer an especially strong explanation of the construction of white middle class behavior as "the norm" and all other behavior as deviant. Your example of Toni Morrison's multiple identities is also very fitting.
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